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supported by 13 fans who also own “River, Breeze, Soil and Flame”
Mikolaj is a real multi-talent in bass as well as guitar as well as vocals and "Darkside" Maciej's drumming is a well-calibrated 100th-of-seconds-clockwork. Not for nothing is Mgla considered as a standard for a lot of other blacker-than-black metal bands. I hope to see this band live once.....
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Söngvar elds og óreiðu
by Misþyrming
supported by 13 fans who also own “River, Breeze, Soil and Flame”
Swirling guitars, furious drums, vocals that at the same time howl from infinite distance and are right up in your head; everything put into dissonant form with the help of unconventional songwriting. This album is my personal key to the icelanding black metal madness that I've ignored for way too long!
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Панихида
by Krzysztof Drabikowski
supported by 13 fans who also own “River, Breeze, Soil and Flame”
La traversée du désert n'aura pas duré quarante jours mais quatre longues années... Avec Панихида, Батюшка renaît enfin de ses cendres et, bien que désormais seul (ou plus exactement entouré de deux chanteurs), Христофор accomplit un miracle. Il s'inscrit dans la continuité de Литоургиiа avec un black metal orthodoxe qui nous convie ici à une cérémonie dédiée aux morts. Sa vision est englobante : les mélodies, la gravité et le silence font toucher le paradis ; l'agressivité est luciférienne.
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Covenant of the Blackened Woodlands
by Ithilrå
featured on Bandcamp Radio Jan 19, 2024
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In advance of their November tour, catch up on the latest shredder from atmospheric black metal band Ghost Bath.
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Solar Paroxysm
by Mare Cognitum
If “atmospheric black metal” implies majestic comedowns and dramatic dynamics, this powerhouse instead constitutes anti-atmospheric black metal.
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Life has gone on long enough
by NONE
supported by 12 fans who also own “River, Breeze, Soil and Flame”
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs...
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